A strange requirement. I did not resent it, I am a timid man; but here they have actually made me out mad. An artist painted my portrait as it happened: "After all, you are a literary man," he said. I submitted, he exhibited it. I read: "Go and look at that morbid face suggesting insanity."
It may be so, but think of putting it so bluntly into print. In print everything ought to be decorous; there ought to be ideals, while instead of that . . .
Say it indirectly, at least; that's what you have style for. But no, he doesn't care to do it indirectly. Nowadays humour and a fine style have disappeared, and abuse is accepted as wit. I do not resent it: but God knows I am not enough of a literary man to go out of my mind. I have written a novel, it has not been published. I have written articles - they have been refused. Those articles I took about from one editor to another; everywhere they refused them: you have no salt they told me. "What sort of salt do you want?" I asked with a sneer. "Attic salt?"
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A strange requirement. I did not resent it, I am a timid man; but here they have actually made me out mad. An artist painted my portrait as it happened: "After all, you are a literary man," he said. I submitted, he exhibited it. I read: "Go and look at that morbid face suggesting insanity."
It may be so, but think of putting it so bluntly into print. In print everything ought to be decorous; there ought to be ideals, while instead of that . . .
Say it indirectly, at least; that's what you have style for. But no, he doesn't care to do it indirectly. Nowadays humour and a fine style have disappeared, and abuse is accepted as wit. I do not resent it: but God knows I am not enough of a literary man to go out of my mind. I have written a novel, it has not been published. I have written articles - they have been refused. Those articles I took about from one editor to another; everywhere they refused them: you have no salt they told me. "What sort of salt do you want?" I asked with a sneer. "Attic salt?"